Meanwhile, in Rivendell . . .

Sally Silverscreen from 18 Cinema Lane has nominated me for the Sunshine Blogger Award!  Always a treat — thank you, Sally! Like most awards, this one comes with a few rules: 1. Display the award’s official logo somewhere on your blog. 2. Thank the person who nominated you. 3. Provide a link to your nominator’s blog. 4. Answer your nominator’s questions. 5. Nominate up to 11 bloggers. 6. Ask your nominees 11 questions. 7. Notify your nominees by commenting on at least one of their blog posts. Those noted, let's proceed to Sally's questions and my answers. ⸻ 1. You’re about to introduce someone to a film genre. Which movie will you choose as the respective introduction? Funny you should ask; I just thought about this subject the other day.  I was re-watching Belle (2013) on a flight home and was impressed once again by just how fantastic of a period drama it is.  It really does have everything:  stunning cinematography, sumptuous costumes you could eat up with a spo...

Happy New Year, friends!   2023 was really the year of Studio Ghibli, for me.  Not one, not two, but three Ghibli films made it onto my top ten list!  Exciting times. Most of the new-to-me movies I watched this year were pretty average; only a few blew me out of the water.  That said, this list was harder to narrow down than I thought it would be.  As usual, I'm not 100% satisfied with the finished product.  But such is life, and as it's already two weeks later than I'd have liked to publish this post, here we are. ⸻ #10.   Bill  (2015)  ● NR A young and ambitious Will Shakespeare leaves Stratford-upon-Avon for the bustling city of London, hoping for a haven of artistic possibility in which to pursue his newest dream of being an author.  Much to his surprise, he soon finds himself embroiled in a plot to kill Elizabeth I. Intentionally anachronistic dialogue and mannerisms set in historical contexts will never not tickle my fanc...

What-ho, all, and how are you doing on this fine November day?  (That is, I hope it's a fine November day when I publish this post.  The chances of my actually checking the weather before doing so are very slim.  I suppose I'll have to take my chances.) (**Publishing edit:  It is currently Dark of Night™, so who's to say whether the weather is fine or not?  Alas for holiday seasons and work schedules and school deadlines which necessitate these ungodly hours of Past Ten PM™.) As many of you probably already know, 2023 has been the 100th anniversary year of Walt Disney Animation Studios.  Like so many others, I count Disney movies as some of the most fun and influential media of my childhood, so I wanted to be sure to celebrate a century of the studio in some way before year-end.  (I've also managed to eke out at least one post per month this year, and I'm determined to finish strong with that trend, so here I am, sliding onto home base just under the w...

I usually find myself conflicted when I write these year-end posts.  (Don't we all, right?)  The problem with making top ten lists, for me, is that I often experience a sense of dissonance, torn between what I see as two different 'types' of candidates.  There are the stories that I think deserve a spot on their own merit, for their own technical excellence; and then there are the stories that I want to include because I personally enjoy  them so much, even if they aren't of the highest caliber. This year, I'm happy to report, that's not as much of a struggle!  2021 wasn't a great year for new-to-me movies, to be honest, but the silver lining there is that most of the films that  did stand out to me did so because they were both exceptionally well-made (in my opinion) and intensely satisfactory on a personal level.   Of course, there were exceptions:  films that were so good that I can't not  spotlight them, even if they weren't that "fu...